A Grafitti Park grows in Stockwell

Neither Stockwell nor Brixton have historically been viewed by mainstream observers as the fountains of aesthetics.

You do not learn about Brixton at the Academy. however, those of us interested in contemporary art or modern urban history are likely to find ourselves in stranger places. London, to world travelers, may seem tame in its roughest edges. Art, however, is not tame here. Projects are being developed. One which grabbed my eye way the Signal Project.

While Stockwell and Brixton have always been contemporary and artistic in the heaps on aesthetics they shed upon the modern cosmopolitan mind of London, I am not a scholar of English urban history. What I do is blog, blogging, and walking or some combination in between. And when I have time to pause, I pick up the local free papers, the local art papers, or a wifi/internet signal and research what I can turn up.

This blog turned up from the Thursday edition of the Evening Standard on graffiti gardening.

It is a terrific story (which you can link to above). Public art, 'spray can art' or outsider neo-art is what some of us think of as a new revolutionary spirit. It is embraced, disgraceful, misunderstood. It is highly debatable. It is a challenge to get a hold on whether you have read Banksy or prefer to simpy accept mottos. Solo's motto is often painted on the walls of the ball courts of stockwell and Brixton, "Say Something Beautiful or Be Quiet." I have said something similar in my revious blogs on the subject. Graffit can be damaging and offensive without purpose, or without even meaning to not have purpose. It can be venally vain.

It can also be a powerful movement for uplifting rises of power in marginalized communities. It sometimes can say what we have thought but not heard. It can replace and undermine the worlds of consumerism, advertising, and corporations. It is powerful. It cannot be turned off.

Like the arts and sciences this public art incorporates, is incorporated, shares and crosses boundaries with what it means to be human, social, cultural, individual. It can be as simple as the biases we already have, graffiti belongs with rap, breakdance, basketball, being black. It can be as ritzy and accepted by art forums as Banksy's wonderful book Wall and Piece.

London is not so shallow. It is multi-cultural (probably the multicultural capital of Europe).

Solo-one, the hero of our insider article, sees graffiti as feeding young people with positive ideas. "You have to have the heart to do it..." he says, tagging as opposed to art can, bring neighborhoods to the brink of "descending into madness." Art and the ability to pursue the skills of being an artist and perfecting the artistic craft is an agreed upon ethic that crosses generations of street artists whether they are well known or invisible. "If it is good, the walls are better off plain." Solo-One says, "Sacrifice is important. If a piece has only taken 20 minutes I know the artist's heart wasn't in it."

What is the difference really between the honing of artistic craft today and the construction of great murals, mosaics, and other public art pieces of the past?

In today's London, some of the best, most loved contemporary art can be found in the outdoors. Galleries are tucked between forgotten streets and along abandoned industry and rail yards. There are galleries tucked into the vacant spaces (read: parks) in Stockwell Park Estates. This is the domain of Solo-One and his kindred spirits. "This is a safe-place for kids to learn how to paint," he says, and to understand the commitment it takes to be a good writer."

Today we are off to the Meeting of Styles, it is an important part of our trip to London. We will try and guide ourselves to finding a Banksy tour beginning Waterloo underneath the railway arches... that is all we have right now to work with. Art it seems is never far nor hard to find.